Location: Atlanta, Georgia, United States
The term twilight used to seem mysterious to me, in a poetic and romantic sort of way. But the more my mind dwells on the idea of it, the more unsettling and confusing it has become. The word sounds lovely, as if it doesn’t belong to its true meaning, which is a period of ambiguity or gradual decline. Twilight is the space between the known and unknown. I am interested in the various ways we attempt to cope in this space. How one might attempt to deal with the ambiguity is the essence of this work.
Twilight Living is an exercise in topoanalysis – the psychological study of the sites of our intimate lives. What do we do in our private spaces to assuage our anxiety in the ambiguous times in which we live? Sometimes we dance around topics, trying to feel out another’s philosophies. “Am I going to find myself aligned with this person or opposed?” Turning inward can be a detriment, but we are all so wary of our fellow man, of conversing freely, that it feels like a comfort now to metaphorically hibernate.
The idea of turning away from reality and doing something rash or impetuous, simply as a release or as a way of feeling one has control over something, some act of creation or destruction, acts as a kind of psychological panacea.
In addition to impromptu behavior, the act of collecting is a careful, methodical practice seen in this work. Collecting is also a type of soothing. But constantly, obsessively looking for items to save is not really experiencing life. Collecting feels like an accomplishment, but it isn’t really. “It is more than an impulse …it is a device to tolerate frustration.” (Muensterberger, Collecting: An Unruly Passion)
This idea of salvaging the self and the life one knew is an avoidance of society today and all that entails. We are in a truly ambiguous period at present, but in holding on to a past that was comfortable, one cannot move forward in life. One cannot make progress. One is trapped in twilight.