Rick Wright

In Brief:
A bit of dada subterfuge using analog film and fogged/aged bromide silver papers to emulate 19th Century architectural charcoal "drawings".

I’m playing the role of an imaginary late-19th Century paper architect. A designer who never built a single building but somehow presaged The Bauhaus, Arts & Crafts, Brutalism, Modernism.

One day, I grabbed a a 3”x3”x3” puzzle cube and recreated some iconic buildings from memory. The structures were crafted using just 7 unique 3-D pieces. I used both a red-plastic set and a stained-wood set to construct the "architecture.” I moved on to crafting my own buildings.

These structures are lit with strobe and photographed with a 4x5 studio film camera. The darkroom prints are made with damaged/out-of-date bromide paper, developed in 100-degree Lith chemistry. This paper-developer combo produces something very akin to a decayed, browned, faded charcoal/graphite drawing—locating the prints squarely in the hand-drawn style of late 19th century architectural illustration. I wanted a sense of finding a water-damaged 150-year-old folio of sketches.

The patient and accurate camerawork butting up against the abject chaos and unrepeatability of the Lith printing process is a primary joy in this work. Once I have an original print that hits all the buttons, I make a scan and move on to larger archival inkjet prints.

Takeshi Tower Osaka

Cayuse War Memorial Walla Walla

4th National Bank Milford

Winsleydale Shot Towers Bristol

Tengrouse Copper Refinery Cornwall

Cathédrale de les Rois Reims

National Mint Mexico City

Slotnick Pavilion NYC

Zbirak Grainery Kramatorsk

Katzenjammer Mercantile Amsterdam

Takeshi Tower Osaka

Cayuse War Memorial Walla Walla

4th National Bank Milford

Winsleydale Shot Towers Bristol

Tengrouse Copper Refinery Cornwall

Cathédrale de les Rois Reims

National Mint Mexico City

Slotnick Pavilion NYC

Zbirak Grainery Kramatorsk

Katzenjammer Mercantile Amsterdam