Ervin Johnson
I began #InHonor as a personal response to the killings of Black people across America. To be completely honest the work was born out of guilt. All of my friends had rallied up in arms to march for Trayvon Martin and Eric Garner. I, on the other hand, was nowhere...
I began #InHonor as a personal response to the killings of Black people across America. To be completely honest the work was born out of guilt. All of my friends had rallied up in arms to march for Trayvon Martin and Eric Garner. I, on the other hand, was nowhere to be found. I felt guilty. I consider myself, for the most part, a conscious individual and so my silence became a burden. When the time came for me to be vocal with my peers I chose the path of cowardice. What real change would come of my presence as a young gay black man at a march in which half of my people don’t accept or acknowledge me? Still though I felt moved to do something. Whether or not I was accepted was something I had and will always deal with, I had to come to terms with that before anything else.
#InHonor is a series of photo-based mixed media portraits made to honor Blackness as it exists in its various forms. More specifically it speaks to the violence and destruction occurring across America, in the form of police brutality. The skin color is removed from each portrait and then aggressively renegotiated. Pigment stands in for an idea or preconceived notion about a particular type of human experience. That experience is culminated and summed up in a word; Black. Questions of tangibility and digital approximations of an entire race are raised. What does a digital approximation of skin color mean and what does it mean to physically remove it and reapply it? The faces are forever transformed, just as our world is with each loss of life.
Read More
Haydee
Ervin Sr.
Erik
Ervin Jr.
DJ
Drew
Shanya
Billy
Ella
Lydia