Tytia Habing, Critical Mass 2015 Finalist

Entry Details

What Is Critical Mass?

Critical Mass began as a way to help photographers get their work into the conversation. In-person portfolio review events are a bigger expense and time commitment. We wanted to create an online platform that would make it easier and more efficient for photographers to promote their work to a wide selection of professionals in the field.

Critical Mass gets photographers’ work in front of 200 top museum curators, gallerists, publishers, editors, and media producers. That’s a lot of eyes. As an individual photographer, it’s difficult to make connections with professionals at this level – much less with 200 of them. In Critical Mass, photographers (from anywhere) submit a 10-image portfolio. The 200 finalists who proceed past the first, pre-screening round then have their work reviewed and voted on by the full panel of 200 jurors. It’s an unprecedented way to get your work in front of the right people.

Critical Mass works.

The professionals chosen for the Critical Mass jury are continually looking for new work. Every year, we hear a flurry of success stories. Curators report back with lists of photographers they’ve given exhibitions to. Photographers email us excitedly about photo editors who have highlighted their work in the media. Museum professionals tell us about artists they’ve added to their collections. Career-building connections happen in Critical Mass.

Get your work on the radar. Enter Critical Mass this year.

The Critical Mass 2016 final deadline to submit has been extended to Monday July 25th at 5pm Pacific Daylight Time!

Submission Details

Registration
$75 ($90 for international submissions due to higher book shipping costs)

Deadline
Monday July 25th, 5pm Pacific Daylight Time.

Finalists’ Round
Photographers selected for the finalists round pay an additional $200. Their work is then sent on to the full panel of 200 jurors.

Before you register, download the Entry Guidelines to learn how to prepare your submission. Then, visit the Critical Mass registration page to submit your work.

Awards

Although the primary intent of Critical Mass is exposure (which is a benefit to all who enter), we are pleased to also offer awards each year. The awards for Critical Mass 2016 are:

Blue Sky Gallery Solo Show Award – One photographer will be chosen for a solo exhibition at Blue Sky Gallery during Portland Photo Month (April 2017).

Rauschenberg Residency Award – One photographer will be chosen for a four-week residency at the Robert Rauschenberg Foundation’s Captiva Island (Florida) estate.

Visual Studies Workshop Residency AwardIn collaboration with the Visual Studies Workshop, a Project Space residency award will be given to a finalist from Critical Mass 2016. The award includes a month-long residency in VSW’s studio/gallery space.

Also:

The Critical Mass Top 50 Exhibition – Artists selected for the Critical Mass Top 50 will be included in an exhibition. The CM 2016 Top 50 exhibition will be curated by David Rosenberg, Editor of Slate Magazine’s Behold Blog.

Art Photo Index Listing – All photographers selected for the Critical Mass Top 50 will receive inclusion in Photo-Eye’s invitation-only Art Photo Index, a global, searchable database of vetted art and documentary photographers and their work.

WHAT TO EXPECT

  • All entrants will have their work seen and voted on by the pre-screening committee, a group of about 20 dedicated curators, publishers, and editors.
  • All entrants will be able to view all of the submitted work (after Critical Mass closes).
  • The top 200 finalists will have their work seen and voted on by over 200 esteemed photography jurors. Jurors have the option of leaving comments for finalists.
  • All entrants will receive a book from one of Photolucida’s monograph award winners.

200 Jurors!

Our Critical Mass jurors are an international group of industry professionals representing a wide variety of photographic interests. We make a great effort to invite a wide range of professionals in the field (gallery owners, agency art buyers, curators, publishers, editors, media producers, etc.). In addition to seeing the work during the online voting process, jurors also have access to a database of the finalists’ work.

Note: Critical Mass jurors, Photolucida staff, Photolucida Board, and Photolucida Advisory Council are not allowed to submit their own work to Critical Mass.

Frequently Asked Questions

Have questions? Please read the Entry Guidelines carefully and make sure to check the FAQs. If you still don’t find an answer to your questions, please contact us.

Fine Print

Photolucida reserves the right to reproduce all work submitted for Critical Mass in the materials distributed to Critical Mass jurors, participating photographers, and educators. Photographers may not pull work from Critical Mass once it has been submitted. No refunds are possible. Photolucida reserves the right to reproduce submitted work in announcements, catalogs, websites and publications that report on or promote our programming. If your portfolio falls in the TOP 50 category, participation in the TOP 50 exhibition is expected. Any necessary permissions required to use images of people and/or property are the responsibility of the photographer. Photographers retain the copyright to their images. Submission of an entry to this program signifies acceptance of all conditions stated.